Example Work
Example Work
E-11 Blaster
A full-size E-11 blaster display replica with a clean black finish, detailed greeblies, metal-look power cylinders, and a classic sci-fi silhouette built for shelf presence and collector display.
Special features
Why I built it this way
Short first-person note about why this one mattered and how it was approached.
Example Work
Illuminated Elder's Scroll
A Skyrim-inspired Elder Scroll display prop with a concealed 365nm UV LED system, hidden LiPo power, and a reed-switch trigger that reveals the map artwork only when the scroll is fully extended.
Special features
Why I built it this way
This build was approached less like a static replica and more like an object that should feel slightly dangerous to open.
The scroll hides its real detail until it is fully extended. A concealed magnet triggers the internal reed switch, activating the 365nm UV LEDs and revealing the mapwork traced in UV-reactive ink. The electronics stay buried inside the body, with charging hidden behind a magnetically attached gem so the outside still feels ancient, ceremonial, and unreliable in the right way.
It is part display piece, part puzzle box, and part warning label.
Some knowledge should probably stay rolled up.
Example Work
Maximus Arena Helmet
A finished display helmet inspired by the look of a battle-worn arena champion, with an aged metallic finish, heavy surface texture, and a ceremonial combat silhouette built for display.
Special features
Why I built it this way
This helmet was built to feel like armour with history behind it.
The finish leans into worn metal, grime, rubbed edges, and aged bronze tones rather than a clean decorative surface. It needed to look ceremonial enough for the arena, but rough enough to suggest it had already survived one.
It is not polished hero armour. It is the kind of helmet that gets lifted from the sand, cleaned just enough, and placed back on display like proof of what happened there.
Example Work
Ma'Tok - Jaffa Staff
A full-size Jaffa staff weapon replica built as a display and cosplay piece, with a long-form presence designed to feel ceremonial, dangerous, and unmistakably Stargate.
Special features
Why I built it this way
This one needed to feel less like a prop and more like something pulled from an armoury. The goal was not just length or scale, but presence — the kind of object that makes the room feel like someone important just walked in carrying bad news.
The finish leans into darkened metal, worn edges, and controlled ageing rather than a clean showroom look. It should feel ancient, maintained, and slightly terrifying.
Example Work
Murder Bot
A full-size wearable cosplay and display helmet with a gloss black shell, layered off-white armour panels, tinted PETG vacuum-formed lens, and magnetically attached chin and rear neck sections for easier fitting, removal, and display.
Special features
Why I built it this way
This helmet was built around a simple idea: a security unit that absolutely does not want to be noticed, while looking impossible to ignore.
The glossy black face, tinted lens, removable magnetic sections, and layered armour panels were all chosen to keep the silhouette clean, sealed, and functional. It is wearable, displayable, and has just enough weathering to suggest it has survived a few contracts it would rather not discuss.
It would probably prefer you stop looking at it now. There are media feeds to catch up on.
Better check the perimeter.
Example Work
Jinx Zap Pistol
Finished Jinx sidearm display build with a bright, chaotic paint read and small-scale prop detail.
Special features
Why I built it this way
This one is all about controlled mess. The shape needs to read as a stylised animated prop, but the finish still has to hold up close: saturated colour, metallic scuffs, purple-blue shifts, and enough texture to stop it feeling like a toy.
Example Work
PM44 Pulse Pistol
A custom-built PM44 pulse pistol replica with integrated electronics, lighting, internal power, and compact control hardware fitted inside the metallic shell.
Special features
Why I built it this way
The PM44 was treated like a sleek sidearm from a future where everything looks clean until it has to do something violent.
The challenge was fitting the electronics into a tight shell without making the piece feel bulky or toy-like. The lighting, buttons, power system, and internal controls were all built to stay hidden until the prop is activated.
It should look calm on the table and much less calm in the hand.
Example Work
N7 Helmet
A full-size N7 helmet replica built for display and cosplay, with a clean sci-fi armour profile, strong panel contrast, and a finish suited to a veteran field-worn combat look.
Special features
Why I built it this way
This helmet was built around the idea of professional armour, not costume armour. The shape had to read as military, personal, and used — something kept operational because the person wearing it expects to need it again.
The finish should not look destroyed. It should look maintained under pressure: marked, handled, cleaned, and sent back out.
Some helmets are decorative. This one looks like it has already survived the mission briefing.
Example Work
Zat'Nik'Tel
A Stargate-inspired Zat’nik’tel replica display build, shaped around the iconic alien sidearm profile with a compact, sculptural finish.
Special features
Why I built it this way
The Zat is strange because it is not trying to look human-made. That was the point of the build: keep the form organic, compact, and slightly uncomfortable to understand.
It should not feel like a pistol with decoration added. It should feel like a device from a culture that solved the same problem in a completely different language.
Small enough to sit quietly on display. Weird enough that it never quite disappears.
Example Work
Deep Space Nine Type-3 Phaser Rifle
A full-length DS9 Type-3 phaser rifle display build with restrained panel separation, balanced weathering, and a production-prop style finish.
Special features
Why I built it this way
This build was about restraint. Starfleet props work best when they look engineered, not over-detailed, so the finish was kept clean enough to feel official but not so clean that it lost depth.
The proportions do most of the work here. The weathering is there to support the shape, not fight it.
It should look like it belongs on a rack, signed out before an away mission, and returned with a few marks nobody wants to explain.
Example Work
Tigris of Gaul Helmet
A finished display helmet inspired by the Tigris of Gaul arena look, with layered metallic tones, heavy patina, and a brutal ceremonial finish.
Special features
Why I built it this way
This one was built to feel brutal and ceremonial at the same time. It needed the weight of arena spectacle without looking polished or decorative.
The finish leans into worn metal, aged contrast, and hard-used surfaces — the kind of object that was made to impress a crowd and survive violence.
It should feel like armour with a reputation.